Hugo (2011)

Genre: Drama/Biography/Mystery/Adventure

Starring: Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloe Grace Moretz, Emily Mortimer

A legendary film maker appraises another legend from a different era. Hugo Cabret (Butterfield) is an orphan whose father was a clock maker and a highly intelligent man. His father found a decaying automaton, a unique robot that has the unheard ability to write. After his fathers death, Hugo started running the clocks at the Paris train station without anyone knowing it and simultaneously worked towards fixing his the machine. He regularly stole parts from a toy store on the station which was run by George Melies (Kingsley). Hugo gets caught in the act and George discovers a notebook in his pocket which has Hugo's fathers machine drawings along with the automatons blue print. George confiscates the book without giving any reason, much to the disappointment of Hugo. Hugo befriends George's grand daughter, Isabelle (Moretz) who come together to solve the mystery behind the automaton, George and Hugo's father. The movie is a brilliant work of art that can keep you stumped, awed and entertained for a very long time. It takes you back in time to the very first movie's of human-kind to show the magic and bizarreness that it carried with it during that time.The climax and the mystery steadily builds up to take shape which eventually unleashes to the audience's satisfaction. The only downside of the movie is its speed. Its slow to start and gets a tad disappointing around the half-way mark but the eventual mystery is still gripping enough to keep you enticed right till the very end. An outstanding work of art that is true to the reputation of Martin Scorsese and a must-watch for all.

Thumbs up: Brilliant story, very enticing

Thumbs down: Slow at times

Rating: 8.9/10

Kahaani (2012)

Genre: Drama/Thriller/Crime/Mystery

Starring: Vidya Balan, Parambrata Chatterjee, Saswata Chatterjee, Dhritiman Chatterjee, Nawazuddin Siddiqui,

Good performances, an enticing storyline and a superb climax is just what the doctor ordered to make a good movie. Vidya Bagchi (Balan) arrives in Kolkata from London to look for her husband who mysteriously disappeared suddenly. Her husband, Arnab came for an assignment to Kolkata and suddenly stopped answering telephone calls and any form of communication. A local police officer Rana (Parambrata Chatterjee) agrees to help her in her quest to seek her husband. The hotel in which she claimed her husband was staying in denied him ever checking in along with the National Data Centre (NDC) the company in which he was supposed to have been working for. Suddenly Arnab Bagchi does not exist and nobody, right from his parents address, school records, professional records do not seem to match the claims made by Vidya. What does emerge is Arnab's uncanny resemblance with Milind Damji, a man with a shady past with an obscure link with Arnab. Vidya realises that in order to get Arnab, she must find Milind but Khan (Siddiqui) the commander-in-chief of the NDC warns her to step out of it or she might lose her life. The movie is very gripping and keeps you wondering and glued to your seat right till the very end. No matter how many theories you might cook up half-way through the movie, it would all go for a toss once the climax is out. The only low points was the forced romance in a true Bollywood style, which thankfully was without any unnecessary song sequences. The movie is beautifully shot against the backdrop of the Bengali festival of Durga Pooja which adds power and aggression to the movie and a huge scoop of character. Vidya Balan has shined once more with some superb acting and has definitely made a mark for herself in the industry, if Dirty Picture hasn't already done that.

Thumbs up: Astounding performances, gripping plot

Thumbs down: Climax might seem a bit far-fetched too few, forced romance scenes.

Rating: 8.5/10

One Flew Over the Cuckoo's Nest (1975)

Genre: Drama

Starring: Jack Nicholson, Louise Fletcher, Brad Dourif, Sydney Lassick, Danny DeVito, William Redfield, Christopher Lloyd, Will Sampson

Define 'A true, epic, American drama movie?', Answer; One Flew Over the Cuckoo's Nest. If there ever can be an example to show how the most simplest of story lines can be made into something very interesting, then nothing can be a better example than this movie. Randle McMurphy (Nicholson) a mentally unstable criminal, apprehended for raping a minor is sent to mental institution for evaluation. He does not appear to or behave in any manner that might suggest he suffers from an illness but needs to undergo treatment nonetheless. His ward is run by the strict Nurse Ratched (Fletcher) who rules rather than runs the ward like a queen and the patients her subjects. She shows indifference towards their pain and emotion and forces them to take unpleasant medication. McMurphy, being less crazy than the rest, realises the nurse's nature and tries to take steps to make his ward members' life better. From gambling with cigarettes, taking bets on escaping, hijacking the bus for a fishing trip and watching baseball on a television that is switched off, McMurphy does it all much to the displeasure of the nurse. The movie is known worldwide for being one of the few movies to have won all major Academy Awards and rightly so. The performances were outstanding, the plot is extremely simple but executed with finesse. It shows how a rapist, branded insane, could do things that even educated and sane individuals could not; he brought them joy. The movie might seem to trudge along with no objective, but believe me its worth all the effort at the very end. This blog celebrates 500 reviews with this movie. A fitting choice I must say.

Thumbs up: Outstanding in every aspect

Thumbs down: 5 major Academy Awards; this section shouldn't exist for this movie

Rating: 8.8/10

Pulp Fiction (1994)

Genre: Drama/Crime

Starring: John Travolta, Uma Thurman, Samuel L. Jackson, Ving Rhames, Bruce Willis

There is something about Tarantino's movies that is unsaid. There is a deeper insight, a test of patience, ironic humour, characters that don't add any value to the story and a simplicity within complexity that make his movies so outstanding. The movie revolves around the everyday lives of a handful of individuals with no relevance to each other who merely cross paths for a few minutes in the plot. Vincent Vega (Travolta) a hit man along with his associate Lance (Jackson) need to recover a briefcase filled with gold from their bosses partner. Marsellus Wallace (Rhames) a local gangster hires Butch (Willis) a boxer to go down in a pre-decided boxing match. Vega wants to go out for dinner with Wallace's wife Mia (Thurman) and denies any affection for her but simply enjoys the company. Most of the movie focuses on the finer aspects of each of their lives with subtle humour. The movie oozes of Tarantino's style in and out and much of the movies character was re-used whilst making Inglorious Basterds. Typical to Tarantino, the movie does not follow any chronological sequence and hence one needs time and patience to understand and fully appreciate the cinematic brilliance.

Thumbs up: Samuel L. Jackson and everything else

Thumbs down: Long, slow and stretched

Rating: 8.5/10

Agneepath (2012)

Genre: Crime/Action/Drama

Starring: Hrithik Roshan, Sanjay Dutt, Priyanka Chopra, Rishi Kapoor, Om Puri

A remake of the 1990 blockbuster starring Amitabh Bachchan, Karan Johar attempts a remake of the original made by his father. Johar, more known for his melodramatic and housewife-ish movies, has created a type-casted genre for himself and its no wonder that critics received the movie with apprehension prior to its release. Loaded violence, street crime and raw aggression is the last thing that anyone would associate Johar with and he has successfully managed to live up to the original movie's reputation. I haven't personally seen the original but word has it that the remake is different in many aspects and reaping largest-ever box office collections in India is certain proof. Vijay Dinanath Chauhan (Roshan) was brought up by his father to be noble and wise and not give in to filth and greed of the streets. His father was wrongly framed and killed tortuously in broad daylight by Kancha (Dutt) the local gangster of the village of Mandwa. Seething with anger and vowing revenge, a young Vijay arrives at the beaches of Mumbai, ready to start a new life. He gets sucked into street crime and joins hands with Rauf Lala (Kapoor) a human-trafficker, Mumbai's largest drug lord and Kancha's enemy. Here he meets his love Kaali (Chopra) and befriends a police officer who wishes to help him take down Kancha once and for all. The movie is powerful and aggressive in every passing moment. Sure, there are up and downs but that is a part and parcel of making a commercial Bollywood movie. The unwanted dance sequences and slow, family drama is like the garnishing on food; unwanted but makes it look good. Roshan and company have put on a fabulous show and Dutt has fulfilled the role of an over-the-top villain with finesse. The movie has superbly incorporated religion, aggression, power and drama in its backdrop to make it highly entertaining and worth the 3 hours it demands. Yes loads of scenes can be simply sliced away to make it faster and better, but that's Bollywood!

Thumbs up: Performance, the character that the movie presents itself with

Thumbs down: Slow and unwanted scenes break the flow

Rating: 8.3/10

Austin Powers: The Spy Who Shagged Me (1999)

Genre: Comedy/Crime/Drama

Starring: Mike Myers, Heather Graham, Michael York, Rob Lowe, Seth Green, Verne Troyer, Mindy Sterling

James Bond, oops, Austin Powers (Myers) returns once again but the element that makes him the man that he is has gone missing. Austin Powers has lost his mojo. Austin Powers has lost his libido. Austin Powers has lost his manhood. Austin Powers cannot shag! That is bad news for Mr. Powers and even worse for the ladies. Dr. Evil (Myers) sent his secret agent, Fat Bastard (Myers) back in time to 1969 to steal Mr. Powers man-ly elements whilst he is frozen. Powers in the year 1999 suddenly realises that something from within him is gone missing and soon learns of Evil's theft in the past. He too decides to go back to 1969 and get his vital organs back in order and also prevent Dr. Evil from bringing down Washington D.C. with a laser beam perched atop the Moon. Along with his oh-so-sexy accomplice, Felicity Shagwell (Graham) Powers must save the world and bring himself back to the ladies. If you think Mike Myers outdid himself with his dual roles of Evil and Powers, he just raised the bar with a third performance of Fat Bastard. The entertainment quotient of the series is ever increasing with the humour, satire and jokes being fabulous and fun. The abrupt ending of Miss Kensington from the previous movie and the absence of Mrs. Kensington in 1969 seems out of place, but who cares really?

Thumbs up: Mike Myers as always

Thumbs down: Awkward plot line

Rating: 7.5/10