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Kamis, 18 Agustus 2011

The Conspirator

We saw The Conspirator a couple of nights ago on Pay Per View.  The story looked promising – the telling of the story of Mary Surratt.  She was the first woman executed by the US government.  Her crime – being part of the conspiracy to kill Abraham Lincoln, Vice President Andrew Johnson, and Secretary of State William Seward.  The story was a courtroom drama, much like another such movie that is one of my favorites, Breaker Morant.  But where Breaker Morant has passionate and firey performances from Edward Woodward, Bryan Brown and Jack Thompson, one gets the feeling the life has been sucked out of The Conspirator, at least in the courtroom anyway.  Despite this being a courtroom drama, it’s what happens outside the courtroom that things get interesting.

For students of history, and especially those who want to know more about the Lincoln assassination up until Mary Surratt’s trial, this movie gets it right.  If you didn’t already know the facts surrounding the conspiracy to decapitate the US government, this movie gives you a fairly good primer.  There was indeed a conspiracy to kill Lincoln and the others, and the place these conspirators often met was Mary Surratt’s boardinghouse in Washington.

Most of the characters in this movie are not very sympathetic or very likeable.   Senator Reverdy Johnson (Tom Wilkinson) at first starts out as a noble character, insisting on defending Mary Surratt in the face of public outrage at the assassination of Abraham Lincoln.  He talked a great game about Constitutional rights, but he didn’t “walk the walk.”  When the going got tough, he pawned the case off to a novice attorney in his employ, Capt. Frederick Aiken (James McAvoy).  His excuse was that Mary Surratt might get a more fair trial if she was represented by a Yankee.  For awhile that excuse held water, but when Aiken needed Johnson’s help Johnson conveniently needed to attend to some business in Baltimore.  Aiken himself felt his client was guilty when he took the case – at least he was honest.   Aiken redeemed himself later when he saw the trial in which he was participating was a sham.  He started his own investigation and realized it wasn’t Mary Surratt the feds were after, but her son John Jr., who had fled the country to Montreal before the assassination.  The trial was a kangaroo court, rules were made up as they went along, evidence was tampered with, and witnesses for both the prosecution and the defense lied to save their own skins.  Aiken evolved from being a skeptic about Mary Surratt’s innocence to Surratt’s fiercest defender.  He showed his own resolve when people started to shun him for being Surratt’s lawyer.  The social club he belonged to expelled him for “conduct unbecoming a member.”  His girlfriend Sarah dumped him [bitch!] because of his devotion to principle, for trying to ensure Mary Surratt got a fair trial.  Even his closest friends began to doubt him, but at least they stuck with him.

Secretary of War Edwin Stanton [Kevin Kline] is consistent – he’s loathsome throughout the movie.  He wants Mary Surratt to be executed – period.  He even told Aiken if either Mary Surratt or her son, John Jr. was executed, that would be fine with him – he wasn’t particular.  When a majority of the tribunal found Mary Surratt guilty but opted to spare her the death penalty, Stanton wouldn’t take “no” for an answer and got the tribunal to reconsider.  When Aiken filed a Writ of Habeus Corpus to get a civilian trial for Mary Surratt, Stanton got Andrew Johnson to suspend the writ.  Kline’s Stanton cared not for the law, but vengeance.  Kline played Stanton very well.

Mary Surratt [Robin Wright] doesn’t generate a whole lot of sympathy.  She betrayed her Confederate sympathies when she referred to Abraham Lincoln as “your president” when talking with Aiken.  She isn’t very helpful to Aiken because her only thought was to protect her son.  Perhaps she knew that since her son was not in custody to be tried, that she was as good as dead and didn’t put up a fight to save herself.  She didn’t really deny that she knew nothing of the conspiracy to kill Lincoln.  She did admit she knew of a plot to kidnap [but not kill] Lincoln.  While she doesn’t generate any sympathy, Wright’s Surratt generates respect.  She is no clichéd “helpless female” – she’s a widow who’s had a hard life and has a steely resolve to get her through that hard life.  There are three times when you see any emotion from Mary Surratt – when her daughter testifies on her behalf, when Aiken tried to make the trial about her son, and right before she was led to the gallows.  But when she got to the gallows, she was recomposed.  You get to see the last thing Mary Surratt sees as the execution hood is placed over her head.  She went to her death clutching a rosary bead.  She exhibited more resolve and composure than the males who were being executed with her.

There is one poignant moment at the very end of the movie.  John Surratt Jr. had surrendered himself to the authorities after his mother’s execution.  Aiken [who by this time no longer practiced law] visited the younger Surratt in his prison cell to deliver to him the rosary his mother held onto when she died.  John Jr. looked at the rosary, but handed it back to Aiken.  He said “this is yours – you were more of a son to my mother than I was.”

At the end of the movie there’s a blurb about how the Supreme Court upheld the right for citizens to be tried by a jury of their peers, even in wartime.  The implication is clear – trying civilians with military tribunals is wrong.  Another blurb told of the government’s inability to convict John Surratt Jr. of anything relating to the Lincoln assassination, thus implying that Mary Surratt was wrongly convicted.  Was she guilty or not?  The movie lets you draw your own conclusions.  Many historians think she was guilty as charged.  Some historians aren’t so sure. 

Here’s what this movie was really about – this was a thought piece about how a country struggles uphold its ideals for the rule of law in times of crisis.  One cannot help but juxtapose the post-Civil War period with the post-9/11 world we live in today.  If that was Robert Redford’s intent, he succeeded.  As I set out to write this little blurb, I so wanted to bash Robert Redford over the head because I initially thought his movie about Mary Surratt’s “trial” [and I use that term loosely] was a propaganda piece for the Left.  Mary Surratt’s conspirators were led into the courtroom with hoods over their heads [Abu Grahib anyone?].  Mary Surratt herself wasn’t let out of her cell until Aiken intervened.  But the more I thought about it, the more I thought this could happen at any time, not just after 9/11.  American citizens of Japanese descent were deprived of their civil liberties during World War II.  People who opposed World War I were jailed for sedition [Eugene V. Debs comes to mind].  "In times of war, the law falls silent," goes Cicero's maxim, quoted in the film by Surratt's prosecutor, Joseph Holt (Danny Huston).  And so it seems, no matter the times.

The Conspirator is a good movie that could have been great, but watch it anyway. :-)

Leaves of Grass


There we were in our usual place, in front of the TV surfing for something to watch after dinner.  I wasn’t in the mood to watch any news on any station (all the news is bad these days).  Deadliest Catch is done for the season.  True Blood isn’t on until Sunday [yeah, it’s a guilty pleasure].   None of the baseball games interested me.  Then I found a movie in progress on Showtime called Leaves of Grass.  I saw it had Edward Norton so I stopped surfing.  Ever since I saw him in Primal Fear and American History X I’ve been a fan, so I left the TV on that station.  Tim Blake Nelson [the guy in O Brother Where Art Thou who said “we thought you was a toad”] wrote and directed the movie, and he has a supporting part.  It's a down-home kind of story set in Oklahoma about two brothers and their family.

Edward Norton plays the two brothers.  The first is Bill Kincaid, a professor of classics at Brown University.  He’s an accomplished guy – he has a reputation as a true scholar who is dedicated to his work of philosophical exploration.  He’s a published author and is about to get offered his own department at Harvard.  He wanted to get as far away from Oklahoma as he could, and worked very hard at losing his Southern accent.  His twin brother Brady is a stoner who grows some wicked good weed.  As one would expect of a guy in his profession, Brady is in trouble with others who are in his line of work, but mainly his chief customer, drug kingpin Pug Rothbaum [Richard Dreyfus].  One day while visiting his drug-addled mother [Susan Sarandon] in a rest home, she asks Brady if Bill will ever come back to see them.  Brady replies that it’ll probably take either him or his mom dying to make that happen [foreshadowing!].

Bill gets a phone call telling him his brother was killed by an errant crossbow.  So Bill hops on a plane to Tulsa.  While en route he has a conversation with a Jewish orthodontist who is relocating to Oklahoma to start an orthodontist practice.  He’s met at the airport by Brady’s partner-in-crime and best friend, Bolger [Tim Blake Nelson].  On the way back to Brady’s house they stop at a local convenience store, where they’re met by some of the area’s other drug dealers who mistake Bill for Brady.  A fight ensues, Bill gets the crap kicked out of him and gets knocked out.  When he comes to, there’s Brady to greet him.  Bill realizes he’s been had.  The reason Brady wanted to get Bill back to Oklahoma was to use him in a scheme to get out of all of his debts so he can marry his pregnant girlfriend [Melanie Lynskey].  What is very fun to watch is how these two brothers interact with each other – the learned scholar and the pot head.  Norton does such a great job playing both characters it’s easy to forget he’s the same guy.

Brady is every bit as smart as Bill [their mom implies he’s even smarter than Bill], but he chose to remain in Oklahoma.  Each is extremely articulate in his own way.  As Bill expresses his disdain for Brady’s chosen “career path,” he can’t help but be impressed by Brady’s hydroponic system for marijuana cultivation.  Brady, on the other hand, tells Bill that he reads everything Bill publishes, even though he has to use the “fuckin’ OED” to get through them all.  Meanwhile, while Bill is in town for the Brady funeral that doesn’t happen, he meets a pretty English teacher [Keri Russell] who likes to quote Walt Whitman [hence the Leaves of Grass title] and fish for catfish by hand.

After the characters are fleshed out, the movie gets to Brady’s last big caper, which doesn’t end well.  There are some weird twists along the way to keep you interested.  The dialog amongst all the characters is priceless.  As the movie progresses you find that you can’t walk away from it for fear of missing something witty.  The script doesn’t insult your intelligence.  It’s like watching a Coen Brothers movie.  Just when I thought American filmmakers had run out ideas, Tim Blake Nelson proved me wrong.  This is definitely not your average Hollywood fare.  It’s not a remake, it’s not a sequel, and it’s not an American adaptation of a foreign film.  Despite the use of a tried-and-true concept [twins who are polar opposites], it’s an original film that’s well-acted and fairly well-written.  I loved it!